one of the true masters of modern minimalism, and one of the central artists on figure spc, dutch artist jeroen search is back!

location 141? location unknown? although one would hazard a guess at somewhere in the ether between chicago and detroit (that is, of course, if we didnt know any better). this mysterious créature de la nuit sits comfortably between the two places of influence and bends them into his own style to herald rogue cat sounds first emergence of 2014 and, in doing so, unfurls two killer, bumpin and weighty jams for the discernable discoid freaks in all of us.

following on from his 2012 autoreply debut the model steps up again with a precise, deadly-effective two tracker. as a producer he can never be pigeon-holed serving up his mysterious blends of deep, robotic, space- funk across labels like traum schallplatten, crosstown rebels and his own clone powered adult central imprint. night times the right time finds the romanian in fine-form laying down punchy drums with pulsating-bass, persistent chords and analog synth tension. flip the disc for wolf and you get a darker, dub-driven take over the same infectious, floor-shaking beats. long tracks, mastered to perfection and playable to the max - check it.

boston label get on down can always be counted on to produce high quality reissues of hip-hop gems, and of course this album is no exception. lord willin was the acclaimed breakthrough release by virginia duo clipse, featuring rappers pusha t and no malice, backed by the eccentric production of the neptunes. both mcs had past connections to the underground drug world, which influenced the gritty, hard-hitting street rap within. the album also featured guest spots from jadakiss, styles p, nore, fabolous, faith evans, and early-in-their career appearances from sean paul, kelis, and lil wayne. get on down now presents the album, fully re-mastered and re-constructed on double vinyl, after long being out of print in the format.

nice price deal !!! beleif system never fails! amazing spaced out axis like techno release. keep this frequency clear! join the engineers of the other space as they embark on a journey deep into the outer realms of the imagination. travel to the outer space division and fall into the strata. process the information and then make your escape! belief system is proud to present the newly received random audio transmissions from deep space central. shrinked.

odd socks 006 comes in the form of a collection of remixes. max graef gets the ball rolling with his sophisticated take on glenn astro & imyrminds >kdim<. a hypnotic patchwork of original themes and maxs refined style. rounding off the a-side, imyrmind weaves a psychedelic web of saines fragile tones. schizophrenic, squiggly, and finally jersey jackin. on the b-side, james creed presents a shuffling housed-up version of josh t & arkists slow jam, >fleabag<. re-appropriating its faux-vintage stabs into a dreamy central motif matched with warm portamento-laced basslines. finally, josh t closes the record with an ultra deep workout in his interpretation of james creeds >undone<. sustained strings and ice cold hi-hats meet muted percussion in this classicly fashioned revision.

a three-armed entity consisting of sagat,&apos, and walrus, bepotel build sonic landscapes. hazy or sparkling, their sound is a portal to digital emotions, their interpretations of widescreen sympathy, lukewarm spandex conviviality, of miscalculated disorder. with previous releases for meakusma, the brussels based label/artist-platform lamadameaveclechien, as well as their own eponymous imprint, kikkerkelik marks the trios first release for vlek.

the a1, named after the release title, is a summer techno drive, or a ride through a hot landscape in central america, as the notes of marimba suggest. the subtle but crackling low toms reverb dictates the driving tempo, while the chasing hats warn of a night which is likely to be dirty and sweaty. ready 2 glow opens with an enlightening synth note softly spreading through the air. its the after-hour call, the quietness before a new storm, which is about to boost and bring to surface the spastic contradictions of the drug-based soul liberating after-hour scene. corners goes funk, the quirky and rugged bass line lays at the core of the groove. above, we hear a multitude of spooky sounds and samples ranging from flying saucer sonic surges to playful stabs and bongo madness. the obsessive vocal echo, manipulated according to the abuse of ifferent drugs, is a clear indication of that. alza pure quanto vuoi is almost taken as it was firstly conceived during a jamming session. its twisted, swinging, it breaks the scheme of groove flowing as the tempo suddenly escapes to a faster pitch, jacked out

exposed within the interior of these tracks are a variety of intrusive and extrusive igneous structures. they include the extensive hydrothermal alteration of rhyolites and gabbros and a central megabreccia created by hydrothermal dissolution and collapse. the siliceous megabreccia is at least 40m thick in its center - to only a few meters thick along its edges. the breccia consists of fragments of white to dark gray cherty material, quartz-rich bass, diagenetic clap nodules, and stromatolitic snares. it is intensively silicified.

during the summer of 2012 before the rains came, the captain headed for the interior and in a lost valley far from the world of men he jammed with a tribe of initiates ... the valley people. the results were channelled via ether waves to ocean moon central aka the centre of sound where seahawks guided them to vinyl in their own sweet way. echoes of fern kinney on helium, nick nicely on mogadon, kraftwerk jamming in the jungle whilst aliens land their craft ready for a cosmic lounge party. listen out for ethereal soul sounds, island funk and dream wave ... ghost vibrations from beyond the reef where they dream of sliver rivers and sleep under the stars.
pressing on translucent, purple couloured vinyl.

the sub:stance vinyl only box set marks the 5th anniversary and final edition of the sub:stance night at berghain, marking its passing with 7 exclusive tracks by artists who have been central to its sound and prints of the legendary flyer artwork used to promote each event. sub:stance was the collision of two worlds – the vitality of uk bass music intertwined with berghain and all its sensory exhilaration and unique atmosphere....

chris spero (otherwise known as uk house and techno producer glimpse) and hypercolour co-founder and producer, alex jones, return once again as dense & pika to the hotflush fold with move your body back. having crept out of the shadows back in 2011 with a collection of white labels released through their own eponymous imprint, dense & pika went on to bolster their rising profile with the release of their hotflush debut (crispy duck) which landed late last year as well as with their memorable live set at hotflushs recent boiler room takeover. there is nothing chin-strokingly complicated or needlessly over-worked about their productions. they make interesting techno aimed at the dance floor and move your body back continues with this central aesthetic. the three track ep plunders percussive depths by way of stern machine rhythms, swollen low-end grit and the echoing, anthemic elements of warehouse rave techno. the title track of the ep may already be familiar to many having appeared on their resident advisor podcast in march and is already being played out by maya jane coles, boddika and adam beyer, amongst others.

forward strategy group, one of perc traxs central acts return with their first ep since their debut album labour division was released in may of last year. since then they have gigged around europe including gigs at berlins two temples of techno, berghain and tresor and have had their album tracks remixed by uk industrial/synth fusionists factory floor and perc traxs man in athens, sawf.

now for the second central part we were able to win even more well-known and influential artists of the bernese music scene. on one hand, the world-famous and bustling starfighterz aka deetron as well as the versatile creative collective filewile, and on the other, morgan le fay aka benfay amongst many other things a member of the round table knights. in addition, mike machine (sinneswandel) and adriano mirabile (sinneswandel) join in to both present exciting pieces for diving into

excellent hypnotic groovin deep house anthem... epic

brother jt is central, pa’s john terlesky whose freewheeling boundless music has been released under many different monikers: brother jt & vibrolux, brother jt3 and most commonly brother jt. he has worked with an impressive roster of tastemakers such as drag city, siltbreeze, birdman, and drunken fish. brother jt is a moniker that finds terleskys songwriting and ample guitar skills taking a decidedly psychedelic form but never deviating too far from the classic song structure.

laurel halo returns with behind the green door, a stripped back, rhythmic, and sonically absorbing ep. while re-injecting rhythm as the central focus, laurels compositional senses of elevated flow and ambient detail remain intact, harking back to earlier releases like hour logic on hippos in tanks, and the spring 12 inch under the king felix alias.

central control unit has found out that the residential area in zone 2 no onger develops in concordance with >city< expansion. breach of initial protocol suspected. control system for energy distribution signals a slowdown in activity. planning for urban integration is no longer working between the original core and external super-structures

through the fresh wind of young artists coupled with the experience of renowned remixers, embi music will continue the central theme and is going to the third vinyl round!

pro-tez records compiled *the knights of the sad pattern - part 2*! a graceful sequel to the ravingly reviewed first part, this is a double vinyl limited edition of 300 presses, which presents the labels extended family to include fellow house contemporaries like john tejada, anton kubikov and alex danilov alongside with central members korablove, b-voice & anrilov, polar lights, joe le bon, doyeq, among others and also newcomers tornike & nini and harry light. it is one of the those must have releases showcasing an individual, beautifully composed sound, combining feathery piano keys, now and then soulful vocals and minimalist sax parts, with deeply padded, classically-informed house music, and a touch of acid elegance and a refined subtlety.

paradise club recordings are due to serve up another eclectic ep later this month – their first selection of what they have in store for 2013 – and it’s one that furthers the label’s trend of showcasing the many different styles at their disposal from their current roster.label stalwart jabru kicks things off with ‘last days of rome’, an aptly-titled cut that begins by traipsing through ambient swells and looms, only to then brew up a truly decadent, central dancehall rhythm.

blue hawaii, arbutus records and many of their montreal counterparts all began with the same breath in early 2010. to date blue hawaii has released an 8 song ep: in may of that year, blooming summer (arbutus records 2010) was recorded following the pairs travels in central america. it frames a time of warmth and novelty, featuring dense female harmonies, tape saturated synths, guitars and drum machines. eventually ra- returned to her role in braids, touring constantly, while ag– moved to europe, treading deeper into dance music, electronics, and production. the two decided to make untogether in 2012, they began recording on new years day in vancouver and intermittently worked on the project until summer broke in montreal. the music followed their winter in canada, it became colder, more introspective. it again captured a time and place, but instead of a dense saturation of love and excitement, this record reflects the vast world of self-awareness and delicacy.

young belgian producer locked groove (aka tim van de meutter) cements an increasingly central role in the hotflush family fold with the release of the two part heritage ep. since his debut on the label, tim has propagated what he himself has termed 100% house and techno, combining elements of the big room, the deep and moody and straight up four-to-the-floor both into the space of a single track, and across the length of an ep. taking a marked step on from last years rooted and keep it simple eps, heritage pursues a joining of musical dots between and beyond classic house and techno, from the kerri chandler-esque house of *wear it well* through the epic landscaping of *lost* to *dream within a dream* blade runner beach party. in this collection, the young producer delivers two sets of three outstanding, genre-straddling tracks that further help to bolster hotflushs legacy as one of the most forward-thinking labels operating in 2013.

detropolis (original mix) is optic nerves take on detroitís infrastructure rebuilding. detropolis opens with the unmistakable optic nerve strings giving you a sense of riding on a futuristic people mover in the night time summer air. the dark and twisted growly baselines makes you long for partying in the new downtown detroit.

with his debut ep >swinger<, the multitalent from central germany now wants to conquer the club scene. as dj and event-manager he already has filled the dancefloors. now his songs should do likewise. inspired by the infamous clarinet-grooves of the roaring twenties and biting trombones >swinger< connects the organic sound of hand-played instruments with crunching techno beats.
the album exhausts the composition always a little bit more danceable, thanks to original instrumentation. but it is more than only dj-tools for the turntables. as the six tracks on >swinger< no second run out of ideas, it will effortlessly earn a wider audience.

boyd jarvis drops 2 tracks of deep us house for finlands traveller. if you liked boyds previous output on labels such as king street, central park and trax then youre sure to dig these. as ever with traveller, limited copies and no digital!

bristol born hench newcomer tim roberts aka temo is a rising star in the dubstep scene. his relentless determination to spend every waking hour in the studio is paying dividends. temo is already gaining support from radio 1 and 1 extra along with club support from the scenes leading djs. these tracks have been smashing hench sets everywhere, expect to hear more from this rising star very soon. set them alight ft. buggsy: set them alight finds a perfect balance between killer vocals and big drops. temo has a long standing relationship with dubstep pioneer joker who introduced him to the insanely talented buggsy, which lead to the recording of set them alight. the marriage between buggsys infectious vocals and temos searing bass lines works perfectly, making set them alight a must have for dubstep fans across the globe. tracks ft koast: tracks is a no messing straight to the point club banger. koast from central spillz & hench resident steps up to deliver a slick 8 bar hook to prepare you for this high impact bass line driven monster.

belgian producer, tim van de meutter, aka locked groove, returns to hotflush for a second ep following the success of januarys pivotal rooted release. keep it simple comprises three weighty examples of why the young producers unique fusion of big-room techno and moodier, deep-house elements has been resonating so loudly of late. central to the ep is simplicity itself, how simple structures create something larger than the sum of their parts as >keep running<, with its rattling percussion, acidic bass stabs and euphoric builds, flaunts to the full. >aller simple< adds swing to a similar palette that is as stripped-back as it is heavy-duty. force is replaced by introspection on vinyl-closer, >even< – an inebriated voice reverberates over whispered organs and an understated groove.

bliq are proud to present bliq05:nicuris paradigms fresh out of union city, ny. the paradigms of which nicuri speaks are darkness, deliverance and determination, modal expressions delivered on three cuts of resonant electronic music. on doldrums nicuri plays with paradox,combining staggered, dreamy synths with unnerving bass rumbles. to reinvigorate the doldrums, or as he puts it replenish the earth, the producer implements a menacing analog rumble in the style of new york greats dj qu and joey anderson. but to ensure that the ground is re-imbued with rational vitality, nicuri adds a layer of baroscopic viscosity: smog surrounds and engulfs, a suppressed vocal intermittently choking. on the flip, parrish adams – aka intrinsic of emphasis records in chicago – gives the earth an even harder, more insistent techno edge. he introduces melodic light flashes at the edges of urban darkness, and rumbles it like a train escaping grand central station. bliq05 is on the run.

incl: joris voorn vs. moby / chez damier / azari & iii / soul central

20 original recordings from jazz and blues legend nina simone on coloured 180 gram double vinyl, housed in a gatefold sleeve.

the sun goddess ep has been a close guarded secret around don?t be afraid operations central for a little while now. mr. beatnick?s second outing for the label proudly carries the torch of last year?s breakthrough ep synthetes, one of fact magazine?s top 50 records of 2011.

(joakim / dexter / call super / jori hulkkonen rmxs) turbo celebrates renaissance mans lauded debut lp with a massive 12inch remix pack featuring joakim, dexter, jori hulkkonen and call super

exone 12 comes from fresh italian talent andrea zannini. born in terni, a major industrial town in central italy, andrea began fiddling with electronic gear at school where he had developed his passion for music, playing locally and experimenting with production. but terni is small and it was just a matter of time for berlin to become the place to go, try out, learn experiment, live. the place where while working at night on his music and during the day in a pizzeria, he met the exone fellowship, who are eager pizza eaters. fantasy dream ventures right to the highest feeling you can have on the dancefloor, with a bassline that builds and bubbles increasing your grin with evey shift. fantasy dream is remixed bydave vega who reveals an epic deeper side and pleasantly surprised us with his expansive mix. certamente shows the funky house side of zannini, well he is italian! phantasmeano delivers a beauty of a remix. gentle, precious, simply gorgeous it surrounds you and captures your body completely as the bass kicks in - best of all, the phantasmeano remix is for vinyl lovers only.

*** first available via decks.de ***
with sa012 dadub carefully collate legacies of philosophical thought and transpose them into a brilliantly deep ep. the vinyl opens with >perseverance< a slick slice of bass that writhes and twists around a syncopated core. on a2 >temptation of maya< seizes at the act of perception and what is captured is perfect for the mellow confusion of a sunday morning. on the flip side the search for transcendence goes further with >beyond the veil< which crackles towards a sense of enlightenment. the ep closes with a golden moment of contentment, >moksha<. the track titles hint at the search for revelation, which is rendered in countless experimental layers and finely wrought details. sa012 is a peek into the conceptual framework that dadub engage with to create their vision. and just as their central image, maya, is intangible in the perceptible universe, the tracks seem to erupt from an equally mystical place: molten, dark and fathomlessly deep.

agora audio launches with massive support from luciano, seth troxler, nic fanciulli, leon, wally lopez, daniel sanchez, samuel dan, andrew grant, sasha, feygin, kabuto&koji, nuno dos santos, sasch bbc&caspar, p.toile, yokoo, d.diggler, darius syrossian, maher daniel and many more. agora audio is a brand new label from berlin dj/producer erich bogatzky. bogatzky has been a central part of the electronic music scene for a number of years, djing since the nineties and in more recent years running the minimood imprint and recording for labels such as plastic city, dieb audio, hertzlich etc. his new venture agora audio is set to be a beacon for quality electronic music featuring music from some of the best producers around.to kick start the label bogatzky has turned to electronic production duo lula circus, a pair of anonymous italian producers who have been making waves since 2008 with a string of singles for labels including ostwind, acker and resopal schallware. for their latest single lula circus offer up the excellent >irreversible< featuring two brand new tracks and a remix from doomwork. the single kicks off with the title track, a stripped yet organic sounding slice of tech fuelled house that uses retro synth sounds and warm bass to create a deep and entrancing atmosphere. synthesized strings join the mix in the final third and lift the tracks intensity whilst adding a haunting quality, quality stuff.

soundway set sail for colombia once again, delving deeper into the south american countrys rich musical past. 55 tracks spread over two triple vinyl releases. the original sound of cumbia is soundway’s definitive guide to the origins of colombian cumbia and porro and the result of five years pain staking re-search by will quantic holland. 1500 copies limited worldwide.tip!triplepack 1 tells the story of some the earliest colombian cumbia recorded, a genre that captured a nation, spreading from its birthplace on the caribbean coast in land to central colombia and the capital bogata

nice price deal !!! the first release from il bosco aka christian wood aka woody aka crowhead aka nudge! a man of many names he has been part of the make up of manchester club land for many years. he was resident dj at fat citys infamous friends and family night & a recording artist for grand central and aim’s atic records during the noughties. after a couple of years hiatus he’s back out of the studio with four tracks and taking a new direction. the tempo is up and a mutation of old school rave, italo, house and electro is in the offing.

these words are in the deepest part of douglass greed and the approach to his debut album. he allows his heart to lead, the better to look where it goes. therein hes distributing straight dope, however, in the sense of emotional impact – dance floor dictation it is not. greed crafts music that serves up euphoria for your mind on the terrace, mas- sage table, train or car trip and so on. a timeless effect stretches along the borders... an enduring touch, and to remain in the mind for seasons to come is his concern with this album. this is more weeping or laughing in the mirror rather than admiring the physical. douglas discusses not the luxurious but rather simplicity, in order to serve a sophisticated >author-future-pop< for the club under the bedspread. his fondness for other forms of musical self-realization shimmers on all of his releases up to now. on his own album, he expresses this passion to the fullest. the inclination for sensible beauty in the dark plays as the greed signature, a central role. featuring musician friends such as mooryc (poznan /polen), pascal bideau (a frenchman in london), kemo (a ger- man-hawaiian in new york), ian simmonds (uk) and delhia (jena), greed casts twelve expressive pulse beats of pure greed cosmos.

recorded in the immediate aftermath of his last ep >passed me by<, this new doublepack from andy stott features six new productions that are more desolate and exposed than anything on its predecessor. the opening >submission< tumbles into being with layers of washed-out digital revolutions, creating an artificial landscape thats quite at odds with the analogue machinations that follow - yet somehow rendering the alienated feel of this material perfectly. >posers< nudges its way into being abruptly and embeds another squashed funk variant thas all low-lit neon and growling textures, awkwardly shuffling into a more robust 4/4 template suffused with sparkling percussion and disembodied vocals. >bad wires< is the centrepiece of the ep, a relentless percussive cluster*ck that belies its slow tempo with a fearless rhythmic attitude. its as immersive and narcotic as anything ever produced by stott - peeling away one layer after another with each repeated listen. >we stay together< (part one) was the first track written for the ep and offers a more spacious narrative and a more sparkling, hazy palette - culminating in a beautifully frayed central hook thats somehow in keeping with the vhs aesthetic of both jamal moss and ferris bueller. >cherry eye< tumbles deep into a darkened hole before ep closer >cracked< turns up, fuelled by an odd mixture of adrenalin and sorrow to send you on your way.... buzzing and forlorn

rising up to take his place as king of the underground, dj w!ld, one of the key residents at circo loco, delivers a killer ep for adult only thats bursting with raw layers of funk and pure jacking beats and perfectly captures the infectious sound he is renowned for. title track >lost on 14th< evolves from the raw bass beat through chugging percussive grooves and the clipped funk guitar riff. enter the provocative rhetoric of kris b, with old school house organ, and the ghetto, freaky vibe is complete. jamie jones brings his hot future funk to the b-side remix of >lost on 14th< by wrapping the manipulated >nasty girl< vocal around the central moody bassline whilst lending his signature oscillating synths and upping the sex appeal. launching into a wail of sirens, its clear that >born to be black< is about to get rowdy. a true club weapon, its all-encompassing bass and kick drum and firey female voice is enough to wreak havoc on any dancefloor

splatter is a producer from merida in mexico, with huge reconition in central america and europe. his style is deep and sinister inspired by the world surrounding him. an abstract experience, mixed with unusual non-linea structure base. mike walls productions sound like the perfect fusion of techno and groovy house. creating his own style of techno is the reason he is doing fantastic live sets as well including all the different sound structures, glitches, bleeps and basses he s interested in and let him feel balanced. this release is inspired by splatters summer holiday in copenhagen the summer of 2010. the release features deep and exotic basslines wrapped with glitches, funky noises, and hypnotic drones. a solid composition for the after hour specials.

in the south of panama lies the darien gap, a vast unpenatrable jungle swamp that divides central and south america. it is so hostile that even the pan american highway stops there in what would otherwise be a non-stop highway stretching from alaska to argentina. many explorers never returned and it is believed that the 10.000 square mile piece of green hell is home to secret guerilla bases, drug labs and many mysterious & dangerous animals.

for the first album ever being released on ki we invited biodub, a producer/dj from the north of germany, who impressed us with his fusion of dub, techno, electronica and is a musician throughout. bringing in his experience as the drummer of instrumental band noetics and based on a minimalistic foundation, his tracks are playful in a microscopically way. in between deep bass lines and characteristic dub chords, various sounds coming from field recording sessions and sometimes also acoustic instruments, making this piece of music extremely warm and alive. biodub tries to transform visual impressions into his music. he finds most of these impressions in nature but sometimes also in machines or buildings in connection with their environment. the album is equally comfortable on the dance floor as in the living room. but you would rather enjoy his music on an open field in the nature than on your couch. the album will be released as a full 2 x12 inch lp, and cd in folded hardcover with photography, graphic and layout coming from ki s amélie kai and since it leaves so much space for interpretation, there will be a 12 inch-single with remixes of stereociti and koi.

the art of acid is an exclusive set of bonus re-edits of classic house tracks rubbed down by a veritable who is who of dance music new and old, part 2 includes edits and re-works from ashley beedle, rub n tug, dusty kid and boys noize. collecting together the cream of early acid house tracks from the traxlabel (out of chicago) that were central to the formation of dance culture as we know it today, >the art of acid<, is a blistering tribute to the last great cultural revolution of the 20th century.

the eighth edition of cocoon recordings 10inch series leads us to berlin, where martin müller and daniel stroeter are working under the alias youandme as djs, label managers and producers for labels such as rotary cocktail, 2020vision and compost for more than 15 years now. >raw” is the ultimate soundtrack for the very special acoustic comprehension both musicians have in setting an absolute imperative on the dancefloor by constantly rising noise levels, but without ever neglecting the funk. living in berlin for only a short time, 23-year-old ilario alicante from tuscany / italy has made his appearance by releasing records for cécille, break new soil or sci+tec over the last three years, especially >vacaciones en chile< was an essential part of the club summer 2008. >balance< purifies modern house music down to its essences, using a 2-minute break with a central organ theme to keep your synapses tightly clenched before a massive bass kick unlocks the tension. just a perfect acoustic devotement to the balance of the raw.

berlin based ed davenport & oliver deutschmann are both established producers in their own right. with a similar interest in urgent, atmospheric moments for the dancefloor, their first collaboration emerges. a proud and powerful statement of the pairs passion for techno, >trump< runs over ten minutes, focusing on a central, ethereal theme that resonates above a rigid wall of percussion. ibadan records boss and internationally respected electronic music figurehead jerome sydenham lays his hands to >trump< in his dynamic, accurate remix that draws us deep into his mechanic-organic sound. nyc based brendon moeller crafts a bass heavy, urgent >appliance< that honours the groove of the original and morphs it pleasingly into more spaced out zones

vincenzo certainly needs no introduction as one of the dessous and poker flat camps central artists. now he is gearing up to release his next full-length album in 2011, the first single to be featured is the breathtaking >the clearing<. beautifully warm and overflowing with atmosphere, this anthemic modern ode to introspective moments on the dancefloor swirls and builds with incredible depth and clarity. like opening the door to a secret garden full of wonders, this powerful moment of positivity sends unifying waves through clubland. the equally special dub version works the groove further with a straighter edge and an even later night theme emerges through the blissed out wash of chords and subtle harmonies. veteran producer ian pooley is enjoying a comeback of late with his classic soulful house sound once again brought back to the floors. his stunning remix pays tribute to all the power and emotion of the original, while cutting up some old-school flavours and laying down that classic pooley key-led funk.